We are so excited to announce the winner of the 2022 Dan Veach Prize!
Congratulations go to Edwin Williamson, for his poem, “Each D ay I Press My Ear to the Ground.”
Of his own writing, Edwin says, “My poetry often aims to blend natural and scientific concepts occurring on Earth (or off-Earth) with tender emotional experiences. I am a lifelong visual artist and musician and started writing poetry in 2018 as a freshman in college. I have always loved science but never found myself able to pursue any of the more technical fields academically. The kind of poetry I’ve been generating over the last few years, I feel, comes out as the product of what I can do as a creative individual and of what we should all be fascinated with as human beings on this planet.”
Edwin will have his poem published in the Fall 2022 issue of Atlanta Review and he wins $100 prize.
Congratulations also to our finalists!
Alejandro Aguirre, “Berlin Candy Bomber”
Gigi Cheng, “Obsidian Fish”
Hana Saad, “I cut down to the core”
And thanks to everyone who entered the contest. It’s exciting to see so many younger folks writing and sharing their poetry.
When we shifted our preferred submission mechanism to Submittable, we received some emails expressing concern about that decision. We have never used the system to “make a profit”–charging no more than we absolutely have to in order to pay for the platform. We understand that some people find the system impersonal, and we still strive to make our interactions with every one of our poets as humane and attentive as possible.
We also made the decision to shift our editorial processes to blind review–to further support our long-standing mission statement to “publish poems, not poets.” As poets ourselves, we are always committed to making the process as fair as it can be. We only accept a tiny percentage of the submissions we receive, so each year we find ourselves rejecting many excellent poems. We often agonize over our choices.
Despite our primary shift to online submissions, we have continued to accept regular mail submissions in an attempt to be as inclusive as possible. Each year we have some people, like those who are incarcerated, who have no other means of sending us work.
And then came the pandemic.
Currently, we have no access to any submissions received by mail since early March. When the university shut down, we could no longer get mail. All the mail is being held in a central site. If you are one of the poets who has submitted work to us by regular mail, we can only promise to read them whenever it is safely possible to do so. Since we have no way of knowing who you are, we hope this message finds you.
In the meantime, because we have the online platform, we are able to continue to read submissions online. We are also able to do other editorial and design work remotely. Hopefully we will all stay safe and well and be able to continue to bring you excellent poetry in these difficult times.
Congratulations to Alyssa Cruz, the 2018 Dan Veach Prize for Younger Writers Award Winner for her poem “I’m Noticing You Noticing Me, So Before You Ask,” which will appear in our Fall 2018 issue.
Alyssa Cruz is a Fillipina-American poet, born and raised in the suburbs of Seattle, Washington. She is a recent graduate of the University of Washington, who had the privilege of studying poetry abroad for two months in Rome, Italy.
Congratulations to Carlos Andrés Gómez, the 2018 International Poetry Prize Winner for his poem “Underground,” which will appear in our Fall 2018 issue.
Carlos Andrés Gómez is a Colombian-American poet and a graduate of the MFA Program for Writers at Warren Wilson College. Winner of the 2018 Sequestrum Editor’s Reprint Award in Poetry, 2015 Lucille Clifton Poetry Prize, and a two-time Pushcart Prize nominee, his work has appeared in the North American Review, Beloit Poetry Journal, The Rumpus, BuzzFeed Reader, Rattle, CHORUS: A Literary Mixtape (Simon & Schuster, 2012), and elsewhere. For more: CarlosLive.com
Congratulations to Mary Makofske, the 2017 International Poetry Prize Winner for her poem “Nasreen’s Story,” which will appear in our Fall 2017 issue.
This year’s judge was Cecilia Woloch.
Mary Makofske’s books are World Enough, and Time (Kelsay, 2017) ; Traction (Ashland, 2011), winner of the Richard Snyder Prize, Eating Nasturtiums, winner of a Flume Press chapbook prize, and The Disappearance of Gargoyles. Her poems have appeared recently in Poetry East, Southern Poetry Review, Briar Cliff Review, Antiphon, Paterson Literary Review, Crosswinds, The Stillwater Review, and Whale Road Review. She received second prize in the 2015 Allen Ginsberg Awards. www.marymakofske.com